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СтатистикаHarlem River Drive - Harlem River Drive (1971) (2005) Lossless скачать бесплатно
Label (Catalog#) : Stateside [0946 333986 2 7]
Country: USA
Genre: Jazz-Funk-Soul-Latin
Quality: FLAC (tracks+cue,scans)
Bitrate: Lossless
Total Time: 00:31:28
Total Size: 215mb(+3%)
AllMusic Review by Thom Jurek
The reason this record is "legendary" is because it marks the first recorded performances, in 1970, of Eddie and Charlie Palmieri as bandleaders. The reason it should be a near mythical recording (it has never been available in the U.S. on CD, and was long out of print on LP before CDs made the scene), is for its musical quality and innovation. The Palmieris formed a band of themselves, a couple of Latinos that included Andy Gonzales, jazz-funk great -- even then -- Bernard "Pretty" Purdie, and some white guys and taught them how to play a music that was equal parts Cuban mambo, American soul via Stax/Volt, blues, Funkadelic-style rock, pop-jazz, and harmonic and instrumental arrangements every bit as sophisticated as Burt Bacharach's or Henry Mancini's or even Stan Kenton's. One can hear in "Harlem River Drive (Theme)" and "Idle Hands" a sound akin to War's on World Is a Ghetto. Guess where War got it? "If (We Had Peace)" was even a model for Lee Oskar's "City, Country, City." And as much as War modeled their later sound on this one record, as great as they were, they never reached this peak artistically. But there's so much here: the amazing vocals (Jimmy Noonan was in this band), the multi-dimensional percussion section, the tight, brass-heavy horn section, and the spaced-out guitar and keyboard work (give a listen to "Broken Home") where vocal lines trade with a soprano saxophone and a guitar as snaky keyboards create their own mystical effect. One can bet that Chick Corea heard in Eddie's piano playing a stylistic possibility for Return to Forever's Light As a Feather and Romantic Warrior albums. The band seems endless, as if there are dozens of musicians playing seamlessly together live -- dig the percussion styling of Manny Oquendo on the cowbell and conga and the choral work of Marilyn Hirscher and Allan Taylor behind Noonan. Harlem River Drive is a classic because after 30-plus years, it still sounds as if listeners are the ones catching up to it. It's worth every dime you pay for it, so special order it today.
The reason this record is "legendary" is because it marks the first recorded performances, in 1970, of Eddie and Charlie Palmieri as bandleaders. The reason it should be a near mythical recording (it has never been available in the U.S. on CD, and was long out of print on LP before CDs made the scene), is for its musical quality and innovation. The Palmieris formed a band of themselves, a couple of Latinos that included Andy Gonzales, jazz-funk great -- even then -- Bernard "Pretty" Purdie, and some white guys and taught them how to play a music that was equal parts Cuban mambo, American soul via Stax/Volt, blues, Funkadelic-style rock, pop-jazz, and harmonic and instrumental arrangements every bit as sophisticated as Burt Bacharach's or Henry Mancini's or even Stan Kenton's. One can hear in "Harlem River Drive (Theme)" and "Idle Hands" a sound akin to War's on World Is a Ghetto. Guess where War got it? "If (We Had Peace)" was even a model for Lee Oskar's "City, Country, City." And as much as War modeled their later sound on this one record, as great as they were, they never reached this peak artistically. But there's so much here: the amazing vocals (Jimmy Noonan was in this band), the multi-dimensional percussion section, the tight, brass-heavy horn section, and the spaced-out guitar and keyboard work (give a listen to "Broken Home") where vocal lines trade with a soprano saxophone and a guitar as snaky keyboards create their own mystical effect. One can bet that Chick Corea heard in Eddie's piano playing a stylistic possibility for Return to Forever's Light As a Feather and Romantic Warrior albums. The band seems endless, as if there are dozens of musicians playing seamlessly together live -- dig the percussion styling of Manny Oquendo on the cowbell and conga and the choral work of Marilyn Hirscher and Allan Taylor behind Noonan. Harlem River Drive is a classic because after 30-plus years, it still sounds as if listeners are the ones catching up to it. It's worth every dime you pay for it, so special order it today.
Tracklist
---------
1. Harlem River Drive (Theme Song) (C. Clash, E. Palmieri) - 4:11
2. If (We Had Peace Today) (J. Norman, Al Taylor) - 3:02
3. Idle Hands (M. Hirscher, B. Bianco) - 8:29
4. Broken Home (C. Clash, E. Palmieri, C. Palmieri) - 10:37
5. Seeds of Life (C. Clash, E. Palmieri) - 5:09
Personnel:
------
Randy Brecker - Trumpet
Burt Collins - Trumpet
Ronnie Cuber - Brass Arrangement, Saxophones
Cornell Dupree - Guitar
Reggie Ferguson - Drums
Bruce Fowler - Trombone
Andy Gonz?lez - Bass
Gerald Jemmott - Bass
Bob Mann - Guitar
Nicky Marrero - Drums, Timbales
Dick Meza - Tenor Sax
Jimmy Norman - Vocals
Manny Oquendo - Congas, Cowbell, Timbales
Eddie Palmieri - Piano
Charlie Palmieri - Organ
Eladio Perez - Congas
Dean Robert Pratt - Drums
Bernard "Pretty" Purdie - Drums
Barry Rogers - Trombone
Allan Taylor - Choir, Chorus
Marilyn Hirscher - Choir, Chorus
Victor Venegas - Bass
All thanks to original releaser
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