Скачать Джаз

Опрос

Ходите ли вы на концерты?

популярное

John Beasley / Frankfurt Radio Big Band - Returning To Forever (2024)

Рубрика: Jazz Rock, Fusion

Norah Jones & The Peter Malick Group - New York City (2003)

Рубрика: Jazz Blues, Blues, Soul Jazz

Robben Ford & The Blue Line - Mystic Mile (1993)

Рубрика: Blues

B.B. King, Freddie King, Albert King - Kings Of The Blues Guitar (2014) 3CD

Рубрика: Blues

Gladys Knight And The Pips - Neither One Of Us + All I Need Is Time (1973) (2006)

Рубрика: Jazz Blues, Easy Listening, Blues

журналисты

DenLenZ
Публикаций: 8022
exchange
Публикаций: 4177
skitalec72
Публикаций: 2878
vyc
Публикаций: 2131
jud
Публикаций: 1564
ilyaz
Публикаций: 1039

Гаминатор игровые автоматы играть бесплатно без регистрации

игровые автоматы с балансом 5000 кредитов играть бесплатно демо

Статистика

Всего на сайте: 28
Гостей: 28
Пользователей: 0

Количество альбомов: 24448
Всего пользователей: 102295
Всего комментариев: 2141

JazzSound.ru » Jazz Rock » Julie Driscoll - 1969 [2006, Remastered] Lossless

Julie Driscoll - 1969 [2006, Remastered] Lossless скачать бесплатно

Дата: 8-04-2024, 17:12
Автор: vyc
Комментариев: 0
Просмотров: 1380
100

1

2

3

4

5

Label (Catalog#) : Eclectic [ECLCD1047]

Country:: UK

Genre: Prog, Jazz-Rock, Folk

Quality: FLAC (tracks+cue,log,scans)

Bitrate: Lossless

Time: 00:38:13

Full Size: 240mb(+5%)

Review by Thom Jurek
Julie Driscoll's (now Tippetts) first move away from the blues-oriented pop of the Brian Auger band turned out to be this prophetic slab of wax that revealed her penchant to transcend the trappings of rock and pop for something more adventurous. To this end, Driscoll employed the help of many of the Canterbury scene's best-known musicians, including Carl Jenkins, Elton Dean, future husband Keith Tippetts, and guitarist Chris Spedding. The set opens with what would become an anthem for Driscoll, the horn-laden rocker "A New Awakening," in which she details the benefits of the search for new ground emotionally and mentally. In addition, with its knotty, arpeggio-laden horn lines and angular arrangement by Tippetts that puts the track on the left side of the standard rock and pop fence. "Those That We Love," a simple acoustic tune with Driscoll on acoustic guitar and Tippetts on piano and celeste with Jeff Clyne on bass is a striking treatise on how much we hurt the ones we love the most, and how those who love us forget us most. Beautifully textured vocal lines open up all over the body of the tune, soaring into darkened corners and illuminating them. One of the most striking things about this slab is how the listener can hear Driscoll's voice begin to open up to the possibilities of life after pop, that there was an entire universe waiting to be explored in song, nuance, and technique. The band provides not only sympathetic, but inspired support in her stead. Other notables here include the guitar freakout orgy of "Break-Out," the chamber/salon song of "The Choice," and the jazzed out balladry (in Canterbury style) of "Leaving It All Behind." Despite its age, 1969 holds up shockingly well, and is still very forward thinking in its musical approaches. Driscoll's/Tippetts' rugged, open-heart emotionalism is truly transcendent here, and this aspect of her wonderful voice has aged not one bit in over 30 years.