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Tony Bennett - Who Can I Turn To (1964/1995) скачать бесплатно

  • Дата: 15-01-2010, 04:23
  • Автор: bulavka
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Tony Bennett - Who Can I Turn To (1964/1995)

Label: Columbia
Жанр: Vocal Jazz
Released: 1964
Remastered: 1995
Формат: mp3
Битрейт аудио: 320 Kbps
Продолжительность: 0:37:19
Размер: 84.78 Mb

Tony Bennett returned to the Top 40 in late 1964 with his version of the Leslie Bricusse-Anthony Newley anthem "Who Can I Turn To (When Nobody Needs Me)," from Newley's Broadway show The Roar Of The Greasepaint, The Smell Of The Crowd. That song, like the rest of this album, was arranged and conducted by George Siravo, who made detailed ballad arrangements, using individual instruments and groups to echo and counterpoint the Bennett vocals. Still searching for new material, and finding it in works by Cy Coleman and Carolyn Leigh, as well as Mel Torme (whose "Got The Gate On The Golden Gate" recalled Bennett's musical connection to San Francisco), Bennett didn't discover anything to match the title track, and he re-recorded "Autumn Leaves" in a more uptempo framework. But the match of singer and arranger made for a consistent and effective album.
Review by William Ruhlmann @ Allmusic


Tracks:

1. Who Can I Turn To (When Nobody Needs Me) - Bricusse, Newley [2:58]
2. Wrap Your Troubles in Dreams (And Dream Your Troubles Away) - Barris, Koehler, Moll [3:17]
3. There's a Lull in My Life - Gordon, Revel [3:10]
4. Autumn Leaves - Kosma, Mercer, Prevert [2:01]
5. I Walk a Little Faster - Coleman, Leigh [4:27]
6. The Brightest Smile in Town - Charles, Devorzon, Sherman [2:58]
7. I've Never Seen - Cochran, Marcotte [3:12]
8. Between the Devil and the Deep Blue Sea - Arlen, Koehler [3:20]
9. Listen, Little Girl - Landesman, Wolf [2:24]
10. Got the Gate on the Golden Gate - Torme [3:10]
11. Waltz for Debby - Evans, Lees [3:40]
12. The Best Thing Is to Be a Person - Brandt, Haymes [3:04]

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zhanet (28 января 2010 16:25)
Мужской джазовый вокал, честно говоря, на сайте не часто встретишь. Потому позарилась и на Тони Бенета. Послушала... Это, конечно, классика, но Эрик Бенет мне как-то ближе.